Safe Auto commercials.
Nothing sends me into a blinding rage more than a Safe Auto insurance commercial. Whether they're reusing old footage from their 80's advertising campaign or its a new batch of hopelessly low budget, hokey commercials send me into a fury like no other.
Perhaps my expectations from advertising have been raised by more entertaining commercials. Jack in the Box, GEICO, and recently Sony have released commercials that are actually entertaining (to me at least, you might hate them). Maybe Safe Auto just can't move with the times and didn't hire an advertising consultant that was aware that commercials don't work if they make you change the channel.
Monday, December 14, 2009
Standard Vampire Rant
Vampires have been romantic and sexual figures in mythology and folklore forever, and that's fine. I'm still getting tired of it. I'm not just talking about Twilight. I'm talking about every TV show, book, and movie that portrays vampires as these perfect, beautiful, mildly tortured individuals.
If we really look at what it means to be a vampire its hard to call it a curse. Vampires all seem to automatically become good looking, possess super human strength, magical powers of some kind, and oh right immortality. The only draw back is you can't go out at night and have to drink human blood. Those last flaws are never played up enough in my opinion.
It's the CURSE of vampirism dammit. The way its portrayed in media its something you'd want to have happen to you, but all the characters seem to avoid it. The audience should see the horror of what it means to be a vampire. Think about it. Everyone you've ever known and loved including your family has the same value to you as a delicious cheeseburger. You can never see the sun again. Good luck finding a college with a degree plan that will allow you to get a degree using only night courses. Banks, insurance, dealing with almost any agency or bureaucracy would be nearly impossible if you can only interact with them when the sun's down. Heaven forbid a vampire be arrested, no judge is going to arraign someone at night.
I'd love to see a harsh and realistic look at the possibility of vampirism in the media. Show me a vampire who has to somehow make do of this impossible situation while trying to stay in touch with his or her family that continues to age while they remain static.
It probably wouldn't make ANY money at the box office.
If we really look at what it means to be a vampire its hard to call it a curse. Vampires all seem to automatically become good looking, possess super human strength, magical powers of some kind, and oh right immortality. The only draw back is you can't go out at night and have to drink human blood. Those last flaws are never played up enough in my opinion.
It's the CURSE of vampirism dammit. The way its portrayed in media its something you'd want to have happen to you, but all the characters seem to avoid it. The audience should see the horror of what it means to be a vampire. Think about it. Everyone you've ever known and loved including your family has the same value to you as a delicious cheeseburger. You can never see the sun again. Good luck finding a college with a degree plan that will allow you to get a degree using only night courses. Banks, insurance, dealing with almost any agency or bureaucracy would be nearly impossible if you can only interact with them when the sun's down. Heaven forbid a vampire be arrested, no judge is going to arraign someone at night.
I'd love to see a harsh and realistic look at the possibility of vampirism in the media. Show me a vampire who has to somehow make do of this impossible situation while trying to stay in touch with his or her family that continues to age while they remain static.
It probably wouldn't make ANY money at the box office.
Breath of fresh air
I've read a fair share of Fantasy novels and I'm a big fan, but after a while the archetypal and in many cases formulaic plot structures can get a bid tiresome.
A mock-up of medieval Europe with new names, a little sorcery and some unspeakable evil overlord who needs to be defeated by the hero. I can take comfort in the formula, but a recent fantasy series I read has been a refreshing mix up.
R. Scott Bakker's "Prince of Nothing" trilogy has been amazing. It's still a throw back an older historical era, but instead of western Europe its set in something that could be considered similar to the Mediterranean. The technology and pervasive religious beliefs are more akin to 33 A.D. then the 1200's.
Most interesting though is the authors protagonist. The main character could be considered a primitive attempt at genetic engineering. His tribe of people have lived in almost perfect isolation for almost 2000 years, during which they engaged in a rigorous selective breeding program and culling the weak from their gene pool. He ventures forth with almost super human intellect, perception and reflexes and finds himself dumped into the chaotic environment of a slew of primitive civilizations. Realizing how easy it is to manipulate these people he slowly begins to twist their perception of him.
We see this character mostly through the eyes of people who don't have the benefit of his selective breeding and over the course of the series he is viewed as messianic figure. When the story is seen from the point of view of this super human the reader sees him for what he is, practically a sociopath.
It's fantastically written, and several of the forces in the series could represent differing philosophical view points such as nihilism and scholasticism. I recommend it.
A mock-up of medieval Europe with new names, a little sorcery and some unspeakable evil overlord who needs to be defeated by the hero. I can take comfort in the formula, but a recent fantasy series I read has been a refreshing mix up.
R. Scott Bakker's "Prince of Nothing" trilogy has been amazing. It's still a throw back an older historical era, but instead of western Europe its set in something that could be considered similar to the Mediterranean. The technology and pervasive religious beliefs are more akin to 33 A.D. then the 1200's.
Most interesting though is the authors protagonist. The main character could be considered a primitive attempt at genetic engineering. His tribe of people have lived in almost perfect isolation for almost 2000 years, during which they engaged in a rigorous selective breeding program and culling the weak from their gene pool. He ventures forth with almost super human intellect, perception and reflexes and finds himself dumped into the chaotic environment of a slew of primitive civilizations. Realizing how easy it is to manipulate these people he slowly begins to twist their perception of him.
We see this character mostly through the eyes of people who don't have the benefit of his selective breeding and over the course of the series he is viewed as messianic figure. When the story is seen from the point of view of this super human the reader sees him for what he is, practically a sociopath.
It's fantastically written, and several of the forces in the series could represent differing philosophical view points such as nihilism and scholasticism. I recommend it.
Mind Share
This cartoonist actually had this happen to him. Up to that visit to the zoo his son's understanding of a cheetah was what his druid could shape shift into in World of Warcraft.
World of Warcraft pulls from many different sources for their game design, mythology, pop culture, and in the above case zoology. But the cartoon depicts a child who has no understanding of a cheetah beyond World of Warcraft. For him World of Warcraft created travel form first, and nature copied it and created the cheetah. I worry that players of the game will think that Thorim and Loken are original characters and not references to Thor and Loki.
It raises the question: exactly how much mind share does World of Warcraft own?
Vocal comfort zone
An article we read recently brought up cell phone usage as a type of technology has become so pervasive that our culture has not quite adapted to it yet. There's no book on cell phone do's and don'ts.
I was in the grocery store checkout aisle when my sister from Houston called. I don't talk to her as often as I should and I wanted her to know that the call was important to me. So I answered it. After about a minute we were involved in a conversation about what to get my parents for Christmas when I suddenly became intensely aware of the people around me. The customers behind me, the one in front, and the cashier. I felt embarrassed and cut the call short.
The cell phone is not THAT new of a technology but I am still unaware of its polite proper use in social relations.
I was in the grocery store checkout aisle when my sister from Houston called. I don't talk to her as often as I should and I wanted her to know that the call was important to me. So I answered it. After about a minute we were involved in a conversation about what to get my parents for Christmas when I suddenly became intensely aware of the people around me. The customers behind me, the one in front, and the cashier. I felt embarrassed and cut the call short.
The cell phone is not THAT new of a technology but I am still unaware of its polite proper use in social relations.
The Strange Nature of Anonymity
comic from www.penny-arcade.com
As any gamer can tell you, wading through the mess of online gaming can leave you feeling dirty and slimy at the end of the day. This problem is far more prevalent in FPS games where theres very little personal investment in the identity of your avatar. World of Warcraft differs in this regard since each avatar at max level represents a fairly large time investment as well as personal customization. This meant that when players had to interact with each other there was at least some type of etiquette since it was possible that enough bad press about a character could ensure they never receive a group invite again.
Recently the release of Patch 3.3 for World of Warcraft has enabled instances to be cross realm. This no longer limits players to only partying with people from their own gaming universe. This patch deepens the anonymity between players. After partying with people not from your server, the odds of you seeing that person again are slim to none. There was a good deal of fear in the World of Warcraft community that this would destabilize the group dynamic. Without any personal accountability players would behave like assholes.
So far, this doesn't seem to be the case. The vast majority of experiences I've read about it regarding the new cross server instances have been nothing but positive. It seems that BECAUSE its cross server people are being just as polite as ever. I theorize that players see themselves as representatives of their realm or gaming universe. Players try to make a good impression for their own community. It's interesting how this goes against everything that I understand about internet gaming and anonymity.
Ghost in the Shell Thesis
There a slew of narratives that could be pursued and harangued in the anime The Ghost in the Shell, but I will attempt to focus on simply one of them. Specifically the strange strange relationship between the major and Bato with it's possibly one sided romantic tension. How are the rules of attraction altered when when the physical appearance of gender is purely a construct? Bato remains confused and conflicted through the entirety of the movie while unable to find a socially suitable code of etiquette to abide by when in the presence of Major Kursinugwa.
The strange set of circumstances presented by Major Kursinugwa presents trackless ground for male protagonist Bato. A former male comrade in arms has become a feminine android assassin, there's no handbook I know of to handle that interaction properly. The fact that Bato can even be perceived as being attracted to the Major raises some interesting queries about human relationships. There is no possible way the two could procreate, as an android Kursinugwa has no ovaries, uterus, or even any genitalia whatsoever. She is some kind of facsimile of womanhood, a crude silhouette of femininity. The viewer has to wonder what drives Bato's attraction to the major when there is no biological imperative to drive it. Perhaps it is simply the Major's form that attracts Bato, which must put him ill at ease when he recalls that mind inside that body had previously been in a male.
With these conflicts in mind the movie addresses the theme of gender recognition. It displays the blurring of gender identity in the presence of godlike technology while showing the very conflicted human reaction to the transformation presented. The theme stays true throughout the movie, and against the background of a near futuristic society the ideas have some possible probability. One of many possible conclusi
The strange set of circumstances presented by Major Kursinugwa presents trackless ground for male protagonist Bato. A former male comrade in arms has become a feminine android assassin, there's no handbook I know of to handle that interaction properly. The fact that Bato can even be perceived as being attracted to the Major raises some interesting queries about human relationships. There is no possible way the two could procreate, as an android Kursinugwa has no ovaries, uterus, or even any genitalia whatsoever. She is some kind of facsimile of womanhood, a crude silhouette of femininity. The viewer has to wonder what drives Bato's attraction to the major when there is no biological imperative to drive it. Perhaps it is simply the Major's form that attracts Bato, which must put him ill at ease when he recalls that mind inside that body had previously been in a male.
With these conflicts in mind the movie addresses the theme of gender recognition. It displays the blurring of gender identity in the presence of godlike technology while showing the very conflicted human reaction to the transformation presented. The theme stays true throughout the movie, and against the background of a near futuristic society the ideas have some possible probability. One of many possible conclusi
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